patricia miranda

patricia miranda

  • about
  • work
    • work
      • To hear a pin drop you must be still
      • Where there is serene length
      • Lamentation for A Reasoned History
      • Enwrapped in arms enfolding; I and II
      • A cool red rose and a pink cut pink, 2022
      • Out of kindness comes redness, I and II, 2022
      • Lace Archive: Glass
      • Lace Archive: Graphite
      • Lace Archive: Ex-voto
      • a joyful keening
      • Enclosure
      • Lamentation for a Reasoned History
      • Lamentations to Rebecca
      • Lamentations to Ermenegilda
      • Dreaming Awake
      • Camminare
      • the weight of a thousand burdens
      • books and paper
        • pearl before swine
        • florilegium
        • mourning books
        • taxonomy of a walk
        • beginning of sorrows
        • ode to jyoti
        • a body, bisected
        • the sugar she never tasted
        • daily hours
        • witness, elegy drawings
        • fear and trembling
        • enlivened desire
      • bomb pop up
      • tether
      • tethered to fractioned impulses
      • neither a walkway nor a bridge, for gretel
      • entwined, arbor
      • the limits of grief
      • relinquere
      • momento mori
      • elegy of forgetting
      • L/Inked grant project
      • red is the color of mourning
      • vierge ouvrante projects
        • florilegia urbana
        • vierge ouvrante
        • frail clay
      • my true love's hands
      • illuminate series
    • the lace archive
      • A Repairing Mend
      • Chip Rutan
      • Kay Hartung
      • Mary Mattei
      • B. Avery Syrig
      • Milisa Galazzi
      • Michelle Johnson
      • Lia Rothstein
      • Jackie Loreio
      • Christine Aaron
    • exhibitions
      • recent solo exhibitions
        • Punto in Aria at 3S Artspace
        • A Repairing Mend: Jane Street Art Center
        • Punto in Aria: Garrison Art Center
        • Lamentations for a reasoned History: Main Window DUMBO
        • Seeing Red: Patricia Miranda Solo Exhibition
      • group exhibitions
        • Chromotopia: the Lyman Allyn Museum. 2022-23
        • Women Hold Up Half the Sky: The Peg Center for Art & Activism 2022
        • The Material, The Thing: Dorsky Museum, 2022
        • Did You Too See it, Drifting, All Night, on the Black River? 2022
        • Bau Progetto 18, Viareggio, Italy, 2021-22
        • Hair Stories: Newport Museum of Art
        • Among Friends: Equity Gallery
        • Terrarium: Ice Cream Social
        • To Have and To Hold: Clemente Center
        • Art in Isolation
        • Embody: curated by Kristin Scenna
        • Open Air: An Outdoor Exhibition of Sculpture and Installation Art at UConn Avery Point
        • In/Out, Light/Dark: Women in the Heights.
        • Within and Without: Contemporary Abstracts and Landscapes
        • In Accordion Time, Unfolding
        • ABC No Rio: Speaking Through Masks
    • curatorial
      • Haptic/Somatic at Southern CT State University
      • mapspace
      • Radical Women: Seeing red
      • Healing and Community: Northern Manhattan Arts Alliance
      • Material Lamentations: Art Grief and the Land
      • Drawing Sensation
      • Murmuration Collective
      • TechNoBody
      • Liminal: Lou Hicks & Teresa Waterman
      • L/inked: a collab betw artists, insects, and oak trees
      • STEAM: Art, Science, and Technology
      • Tinkers, Artists, Innovators: Bricolage
      • Solidary/Solitary: The Artist at Work
      • LEGITIMATE VAGINA: women artists explore vagina imagery
      • Lou Hicks: Contemporary Landscapes
      • Nurturing Nature: Artists Engage the Environment
      • COLLECTING STORIES: THE DAVIES COLLECTION
    • collaboration
      • The London Calling Collective
      • murmuration collective
        • Mia Brownell
        • Cristina de Gennaro
        • Sasha Kopelowitz
        • Patricia Miranda
        • Tricia Wright
      • L/inked: a collaboration between artists, insects and oak trees
    • process
      • dyes and pigments
      • plants
      • Indigo
    • the crit lab
  • news
  • press
  • texts
    • exhibition catalogs
      • Seeing Red: Catalog+Curatorial Essays
      • Patterns of Influence: Exhibition Catalog
      • Parallel Practices Catalog
      • L/Inked Catalog
    • essays
      • Inscribing the Landscape; Susan Newbold. Book Intro
      • Alexander Rutsch: A Voluptuous Eye. Exhibition Review
      • Seeing Red: Catalog+Curatorial Essay
      • Lori Glavin; The New Between. Catalog Essay
      • Beautiful Ruin: Christine Aaron. Catalog Essay
      • STEAM Exhibition: Catalog+Curatorial Essay
      • Solidary/Solitary: The Artist at Work. Catalog Essay
    • published articles+paintings archive
  • teaching
    • artists
    • university
    • museum
    • K-12
    • alchemical tech
  • connect
Ruth and Harold Chenven Foundation Grant
Review: 3S Artspace in Art New England
Solo Exhibition: 3S Artspace
The Material, The Thing: Dorsky Museum
Chromatopia: Lyman Allyn Museum
Saltonstall Fellowship Residency
A Repairing Mend solo show: Jane Street Art Center, Saugerties NY, April 2 - May 8, 2022
To Have and To Hold: the Clemente Center, NYC, March 4-April 2, 2022
Women in the Heights: Northern Manhattan Arts Alliance Gallery, March 17-April 14, 2022
Terrarium; Ice Cream Social, March 5-May 6, 2022
Northern Manhattan Arts Alliance Grant
ArtsWest Individual Artist Grant
Artists Talk on Art with Christopher Kaczmarek
Artist Talk-Art in Isolation. Teachers College Columbia University 3/27/21
Artist Talk: In/Out, Light/Dark: Women in the Heights. Northern Manhattan Arts Alliance. 4/1/2021
Conversation with artist+curator Fernando Martinez
Artist Talk: Ursa Gallery Jan 27, 2021 6:30pm
Execute Magazine Feature
Artist Talk: Center for Digital Arts, WCC Peekskill, Thursday Nov 19, 6pm
In Accordion Time, Unfolding
Seeing Red Solo Exhibition ODETTA Gallery August 2020
ABC No Rio: Speaking Through Masks
Open Air 2020: Alexey von Schlippe Gallery at UConn Avery Point
Materiality: international online group show. Curated by Hannah Andrews
Anonymous Was a Woman Covid19 Relief Grant
Color Explorations with Egg Tempera Truro Center for the Arts (virtual): August 17-21, 1-3pm
Introducing The Crit Lab Flat File
ODETTA Digital Inaugural Exhibition: Sea Change on Artsy
Northern Manhattan Arts Alliance (NoMAA) Artists Talk and Curator's Walk
Northern Manhattan Arts Alliance (NOMAA) Exhibition 2020
Digital Image Preparation-NOMAA
NOMAA/LMCC workshop Fundamentals of Fundraising
Magical Spaces, Familiar Places, Howe Gallery at Kean University
Patterns of Influence at the Painting Center July 16-August 10, 2019
AMONG FRIENDS/ENTRE AMIGOS
Art is Money-Money is Art
Material Lamentations: Art Grief and the Land
The Exhibition Perspective at Mamaroneck Artist Guild
Presentations at the Encaustic Conference
Intersecting Perspectives Exhibition Sci/Art Center
Center for Book Arts Panel: NATURE AS TOOL AND MATERIAL Color and Geography
Parallel Practices exhibition at Western CT State University
Exhibition at LabSpace: ​Indigo- the Seventh Color
October at I-Park 2016
WORD at Hudson Valley Center for Contemporary Art
HVCCA Day of the WORD Artist Panel
Exhibition at Castle Hill: Elementary: Sharon Butler, Sharon Horvath, Patricia Miranda
March Residency at Weir Farm Art Center
Visiting Artist at Vermont Studio Center Nov 2014
Keynote Speaker at Heckscher Museum
Alchemical Tech in Makezine
Makezine Aug. 14, 2014: STEAM art, Made by Makers
STEAM Exhibition Press
The New York Times reviews STEAM!
River Journal Online features STEAM!
The Examiner publishes article on STEAM!
STEAM! reviewed in Westfair Online
Teaching Artist at Frankin Furnace Archive, Inc., SEQential Art
Patricia Miranda at the Children's Museum of Manhattan
Patricia Miranda receives 2014 ArtsWest NYSCA Artist Grant
Bricolage, curated by Patricia Miranda, opens at Rockland Center for the Arts January 19th, 2014
Book Discussion with Sharon Louden February 6th, 2014
Book Signing and Discussion Panel at Kenise Barnes Fine Art
Alchemical Tech named Editor's Pick by Make Magazine!
Maker Faire New York
Materiality; Contemporary Artists and Their Material World, Feb 9-March 23, 2013


Copyright Patricia Miranda 2022

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