patricia miranda
patricia miranda
about
work
work
To hear a pin drop you must be still
Where there is serene length
Lamentation for A Reasoned History
Enwrapped in arms enfolding; I and II
A cool red rose and a pink cut pink, 2022
Out of kindness comes redness, I and II, 2022
Lace Archive: Glass
Lace Archive: Graphite
Lace Archive: Ex-voto
a joyful keening
Enclosure
Lamentation for a Reasoned History
Lamentations to Rebecca
Lamentations to Ermenegilda
Dreaming Awake
Camminare
the weight of a thousand burdens
books and paper
pearl before swine
florilegium
mourning books
taxonomy of a walk
beginning of sorrows
ode to jyoti
a body, bisected
the sugar she never tasted
daily hours
witness, elegy drawings
fear and trembling
enlivened desire
bomb pop up
tether
tethered to fractioned impulses
neither a walkway nor a bridge, for gretel
entwined, arbor
the limits of grief
relinquere
momento mori
elegy of forgetting
L/Inked grant project
red is the color of mourning
vierge ouvrante projects
florilegia urbana
vierge ouvrante
frail clay
my true love's hands
illuminate series
the lace archive
A Repairing Mend
Chip Rutan
Kay Hartung
Mary Mattei
B. Avery Syrig
Milisa Galazzi
Michelle Johnson
Lia Rothstein
Jackie Loreio
Christine Aaron
exhibitions
recent solo exhibitions
Punto in Aria at 3S Artspace
A Repairing Mend: Jane Street Art Center
Punto in Aria: Garrison Art Center
Lamentations for a reasoned History: Main Window DUMBO
Seeing Red: Patricia Miranda Solo Exhibition
group exhibitions
Chromotopia: the Lyman Allyn Museum. 2022-23
Women Hold Up Half the Sky: The Peg Center for Art & Activism 2022
The Material, The Thing: Dorsky Museum, 2022
Did You Too See it, Drifting, All Night, on the Black River? 2022
Bau Progetto 18, Viareggio, Italy, 2021-22
Hair Stories: Newport Museum of Art
Among Friends: Equity Gallery
Terrarium: Ice Cream Social
To Have and To Hold: Clemente Center
Art in Isolation
Embody: curated by Kristin Scenna
Open Air: An Outdoor Exhibition of Sculpture and Installation Art at UConn Avery Point
In/Out, Light/Dark: Women in the Heights.
Within and Without: Contemporary Abstracts and Landscapes
In Accordion Time, Unfolding
ABC No Rio: Speaking Through Masks
curatorial
Haptic/Somatic at Southern CT State University
mapspace
Radical Women: Seeing red
Healing and Community: Northern Manhattan Arts Alliance
Material Lamentations: Art Grief and the Land
Drawing Sensation
Murmuration Collective
TechNoBody
Liminal: Lou Hicks & Teresa Waterman
L/inked: a collab betw artists, insects, and oak trees
STEAM: Art, Science, and Technology
Tinkers, Artists, Innovators: Bricolage
Solidary/Solitary: The Artist at Work
LEGITIMATE VAGINA: women artists explore vagina imagery
Lou Hicks: Contemporary Landscapes
Nurturing Nature: Artists Engage the Environment
COLLECTING STORIES: THE DAVIES COLLECTION
collaboration
The London Calling Collective
murmuration collective
Mia Brownell
Cristina de Gennaro
Sasha Kopelowitz
Patricia Miranda
Tricia Wright
L/inked: a collaboration between artists, insects and oak trees
process
dyes and pigments
plants
Indigo
the crit lab
news
press
texts
exhibition catalogs
Seeing Red: Catalog+Curatorial Essays
Patterns of Influence: Exhibition Catalog
Parallel Practices Catalog
L/Inked Catalog
essays
Inscribing the Landscape; Susan Newbold. Book Intro
Alexander Rutsch: A Voluptuous Eye. Exhibition Review
Seeing Red: Catalog+Curatorial Essay
Lori Glavin; The New Between. Catalog Essay
Beautiful Ruin: Christine Aaron. Catalog Essay
STEAM Exhibition: Catalog+Curatorial Essay
Solidary/Solitary: The Artist at Work. Catalog Essay
published articles+paintings archive
teaching
artists
university
museum
K-12
alchemical tech
connect